Sometimes an issue arises that raises questions that aren't easily answered. Take, for instance, the recent announcement that O.J. Simpson had written a book entitled If I Did It, which was at least in part a "fictionalized" account of how he would have murdered his wife Nicole and Ron Goldman if he'd actually done it.
Right.
Now the company who owns the company who owns the publisher who owns the imprint under which it was to be published says that there will be no book, nor will there be a two-part televised interview with him touting said book. All of a sudden, everybody's taking a high road they couldn't have found with a AAA road map highlighted in yellow a week ago.
But it raises some interesting questions.
At the bookstore we discussed how we were going to handle this, and the decison that was made was easy: we would not order the book for stock, but if a customer requested it we would order it for them. We would only do this if they would pay for it up front, a practice we employ only occasionally, and usually only for obscure titles that we would be stuck with if they reneged on the deal. We were doing this to keep ourselves from ordering a book and then having people find it elsewhere the same day they called us. We did not it on our shelves, plain and simple.
Of course, if someone were willing to pay we aren't in the business of refusing business, so we'd have made our usual profit. Is that wrong?
Only if you consider that we have never refused to order a book for a customer based on its content. We've special-ordered The Anarchist's Cookbook, for instance, and for about two years back in the old Geraldo Rivera Satanist in Every Daycare Center phase, copies of The Satanic Bible. People were curious, and although we didn't want that in our regular stock either, we weren't going to refuse to sell it.
In order to make a point, my brother ordered a single copy of Madonna's Sex all those years ago, and before it was even in the store we'd gotten an order for it, and it was sold to that customer less than half an hour after UPS delivered it. We never had to stock it, but we made our point anyway. In fact, the local news media went nuts when they found out we had ordered it, and they asked for an interview. So, my brother grants the interview, and he did it splendidly. He lambasted the reporter for ten full minutes -- "We work our butts off to sell truly fine works of literary value because we believe in promoting thoughtful, important literature. We can't ever get you people here for a single second to talk about that, but just let some semi-talented narcissistic bleached blonde who calls herself "groundbreaking" come out with an overpriced piece of soft pornography and y'all are all over this banner moment in the history of world literature."
Well, they aired a little squib -- but all you saw was my brother talking in a rather heated fashion, and the reporter talked over the entire piece, so nobody ever heard what he said. They'd been promoting the story all day, and had to do something.
But I digress.
The OJ book was beyond reprehensible on every level you can think of. But the man has right to write it, and a publisher has a right to publish it, and they both have a right to expect to make money from it.
As did the Fox network, who planned to air the two-part special on their regular cable channel -- not the news channel.
But they were shocked to discover that they had few takers for advertising, and so in a performance worthy of Laurence Olivier, the head of that network said they were NOT going to air such swill.
Swill's in the eye and ear and pocketbook of the beholder, though, and the most interesting part of the debate lies in taking an unemotional view -- was it truly fair for the marketplace to put pressure on the publisher and the Fox network not to print/air this? And if it was, then can't the same be said for a dozen other hot-potato issue driven books/television shows?
Where's the line? And do we ever truly want to find out?
Tuesday, November 21, 2006
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9 comments:
"was it truly fair for the marketplace to put pressure on the publisher and the Fox network not to print/air this?"
I'm not sure I see the conundrum. The marketplace made its opinions known, just as it does when it votes for a book by buying it and clamoring for more. Nobody forced Fox to pull the book--they simply let Fox know that it was going to not only lose its shirt, but buyer goodwill on that project. Fox could have gone with it anyway, but they chose not to throw their money away and damage their customer base.
It's pure business risk evaluation. Nothing fair or unfair about it. Fox was just lucky it got the feedback before it invested in the press run, although I'm sure the prepress marketing dollars were long gone.
Now, if the government had stepped in and threatened to shut them down if they published it, that would be another story. . .
As it happens, this time I was in agreement with the market. The fact that other potentially salacious books/shows find a niche out there obviously means the market disagrees with me.
Oh, I agreed with the marketplace, absolutely.
But what if this had been a book that did have some underlying value for the public, but was controversial? Something about an issue that deserved light shone on it?
Depending on the composition of the marketplace, a book that be essential to the public welfare could potentially be squelched before it sees the light of day, based on the "pulse" a publisher takes beforehand.
This one was not one on which I want to plant my cross, that's for sure, but generally I believe the marketplace decisions should be left to post-publication.
But this is interesting -- some copies of this book had already left the warehouse, and are likely sitting in boxes in the back of some of the Evil Empire brick and mortars, marked with an "on sale" date and thus not on the sales floor yet. The publisher says it will make every effort to have those books retrieved -- and destroyed.
Destroyed. Sent through a shredder, incinerated, destroyed.
I don't like those words where books are involved -- even those I find to be reprehensible.
But "destroyed" doesn't mean the information is censored, if someone truly believes it should be available to the public.
The publisher is embarrassed and wants to try to cover its tracks. And they should be embarrassed. But in the end, the decision to pull the project was still the publishers. They were not physically or legally forced to do this. If they had believed strongly that it should be out there and were willing to risk the money for it, they would have gone ahead with it.
This is not censorship--it's a business decision. If OJ really wants to get this information out there for some reason other than his own insane ego, he has a multitude of ways to do it. He could self-publish the danged thing and distribute it on Amazon and B&N for less than a thousand dollars. He could put it all out on a website for the entire world to see for ten bucks a month.
The problem is, he wants to make a lot of money off of it, and the public is incensed over it. This isn't an issue of squelching information. It's simply refusing to pay (and reward someone) for it.
So from my point of view, I don't see any danger of important information being withheld from the public because the marketplace responds negatively. If someone thinks it is important, the information can be distributed globally in a number of ways, no matter how many people rant about it (Case in point: The Anarchist's Cookbook). But there will always be boundaries as to what the public is willing to pay for. Unless an out of control government decides to step in, the choice (and power) will always be the publisher's, whether corporate or individual.
LOL. . . apparently Molly10 is my Blogger name. I had totally forgotten...
True, this doesn't spell "government censorship," so that's a given, and marketplace choices are a different thing all together.
However -- what just sort of bothers me is that while most folks are happy this book didn't get published and the TV thing didn't happen, what door this opens might well let in an ill wind that people on all ends of the political spectrum would do well to remember.
Let's say this book was about something else that might be a hot potato worth public dialogue, and let's say that one or the other side of the ideological fence is bitterly, bitterly opposed to the content. With enough public pressure, will a meaningful, legitimate book get axed post-publication?
I have no problem with country stations not playing Dixie Chicks, or with Wal-Mart not selling adult literature (we don't, either), or with a bookstore that caters to a liberal clientele not selling Bill O'Reilly's books. Those albums, books, what have you, can be gotten elsewhere in a free market for those who wish to own them. A marketplace that responds to the needs of their niche is how all this works, after all.
But OJ's book was done. It was printed. It was shipped out as a finished product, and disgusting as it was, there was a market for it.
Annie Leibovitz's new book has caused a stir, too. Robert Mapplethorpe's photography always did as well. I suspect we would feel differently if either of their works -- post-publication -- were yanked because there was a hew and cry speaking against them.
A move toward government censorship begins somewhere, and that is in the minds and hearts of the citizenry. That's what is vaguely troublesome to me in this instance -- that feeling that public pressure won out this time -- even as I agreed with it.
I guess the reason that this does not frighten me--maybe it should, but it doesn't--is that I don't see publishers as the be all and end all of information and idea dissemination anymore. In generations past, that was certainly the case. If you couldn't get a publisher to accept and promote your book, you were pretty much stuck (and promotion is the key issue here--it's not printing that costs so danged much in the scheme of things).
But now, publishers are losing potentially good, important books every day because people can do either totally by themselves, or with the help of one or more like-minded backers. All it takes is a few dollars, some marketing elbow grease, and well-placed jacket blurbs from reputable associates. It just depends on what kind of market response you want to achieve.
So I can't get off the concept that even O.J. isn't stopped if he doesn't want to be. I even think there are other publishers out there who would probably pick up the book in a heartbeat because they know they could make some bucks off of it, even in the face of public disapproval. But they would not be one of the big houses that could pay him the massive advance that he has already totally spent.
For me, this really all falls back to the issue of what kind of output we should expect to make money from in this day and age. If money were not involved (for either the author or publisher), this project would never have gotten off the ground in the first place.
Now, had it been launched by a non-profit publisher with little or no royalty to the author, or the author had decided to put it out on the Net for some non-monetary purpose, and the government or high-powered citizenry took steps to try to have it squelched, I would have a lot more concern.
And one more thought . . .
If the situation were reversed, and it was a socially important topic that was self-published with credible reviewers after the major publishers turned it down because they didn't want to lose their shirts on a controversial topic, would the independent bookstores pick it up anyway?
Some would! We have a strict policy at our store however - we do not carry self-published titles. This is solely because there are so many of them, and we've no room for a scad of them, and because the terms of sale are not attractive to us.
I had one more thought, too -- the publisher of OJ's book had already invested the money since he'd been paid and the books had been published -- they have lost all that with no chance to recoup, unless they EBay the thing.
Hmmm.
They even had them pulled from Ebay.
I think in the big scheme of things, the advance to O.J. wasn't sizeable enough to make them decide to stick to their guns. There were initially rumors that he received $3+ million, but the later reports downsized that to about 800K. Generally, publishers won't pay a larger advance than the expected royalty on the first press run.
If they ran by that model, it's likely that their initial press run was only about 50,000 copies and they were projecting to make $7-8 million on the first run, which is not really blockbuster status for a house of that size. I think they likely lost less than $1M in total hard costs, which would not make them happy, but it wouldn't break their bank, either.
But I wonder if they would have been so quick to cave had they really sunk a $3M royalty advance into the project.
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